I just thought I might try generate a little discussion at the moment, by talking about one of the top five most recognizable comics imprintsgoing. And the X-Men are an imprint all unto themselves. At the moment we're seeing more discussion of the books than usual, seeing that barring the assumed headline book, both regular X-Books have seen creative changes, with both going from staid, somewhat reviled creators, Claremont and Milligan, neither of whom, really, should be writing a mainstream x-book in 2006, to two guys that are seen as the future of comics.
Astonishing X-Men, written by Joss Whedon and art by John Cassady, remains, wether Chris Claremont likes it or not, the defacto headline X-Book. It's a BEAUTIFUL book, thanks to Cassaday, but writing-wise it's suffered, the first arc was excellent, but the second arc was rushed/delayed because of Whedon's Serenity Commitments and was ether horribly rush written, or, as rumour has persisted, ghost written by any number of suspects, from one of Whedon's writer buddies, to Mark Waid, to Chris Claremont. The third act, while well written, has developed what Paul O'Brien has noted, is Whedon's apparant desire to write about....how much he loves the X-Men, and not the actual X-Men. Plus the Emma Frost double turn is blindingly obvious even to a retard like myself.
Uncanny X-Men is now being written by Ed "The New God" Brubaker, with art by Billy Tan. For the time being. One issue in we know.......it's the X-Men in Space.
"Adjective-Less" X-Men is being written by 'Poor Man's Grant Morrison, Mike Carey, with art...in the subjective tense, by Chris Bachalo.
I REALLY FUCKING HATE CHRIS BACHALOOne issue in.....we know that Carey really liked Morrison's run on the book. And by God, he's stuck with the C-Team, but he's going to have a go at recreating it.
The one thing Carey has going in his favour is Marvel clearly have faith in him. The month after next sees him kickstart his run on Ultimate Fantastic Four. He's also a Vertigo writer, which is always a good thing.
With Brubaker it's a little different. He's after coming off Deady Genesis. Deadly Genesis was lauded from upon High (Joe Q's desk, and seen as the X-Men sequel to House of M, and the attempt to seriously shake up the status quo by bumping off one character, changing everything about another, historical revelations out the door, and a new villain.
That would be great except the book sold like shit. Because of the X-Over exposure, which I'll talk about in a bit, most people thought the book was just another miniseries. Quesada went crazy pimping the book, and sales recovered, and Brubaker's being left to do his thing. Except it got a bit boring near the end, and now people are worried that Brubaker can't handle a big team book.
Anyway...
There's also Ultimate X-Men. It's being written by Robert Kirkman and it has a problematic rotating arc. of artists. That's all I could tell ya, I read the book in the HC format.
There's also..... Currently being published by Marvel, under the X-Men banner
Cable and Deadpool. Exiles, New Excalibur, New X-men, Wolverine, Wolverine Origins, X-Factor and X-Men Unlimited (is this still going?)
Not to mention a truly mind boggling
gaggle of miniseries' and, in the past five years, they've cancelled a shit-ton of books aswell, ranging from and Alpha Flight revival to the truly questionable policy of giving every X-Man going a mini series for no apparant reason whatsoever.
I'd like to point out though, over exposure or not - thats an impressive accounting of talent writing those books - Fabian Nic, Claremont, Tony Bedard, Frank Tieri, Daniel Way (MARVEL LIKES HIM DAMMIT!) and Peter David.
Paul O'Brien, who runs the X-Axis website I linked to, has correctly pointed out that this has led to the X-Men being incredibly over exposed, to the point where Marvel will stick Hot New Creator 1 on a ......Sunfire miniseries, to give him experience, and hope to got it sells more than 10k. Chances are they won't. This has led to stuff like Deadly Genesis suffering, really great stuff like the recent Son Of M being virtually ignored, and a flagship book that ships bi-monthly because the writer is scripting Wonder Woman.
Does Marvel need to scale back the X-Men stuff they're publishing, or should they strike while the iron is hot and the movie is making money and just throw stuff out. You never know, withing five years they might throw a miniseries at me to write.
And for the record, in my pile of stuff I'd pitch to Marvel, I think I've only really got an Ultimate X-Men story in me. I wouldn't mind re-imagining the Guthries